1765615 votes

Writed by - Quentin Tarantino

director - Quentin Tarantino

154Min

brief - Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are two hit men on the hunt for a briefcase whose contents were stolen from their boss, Marsellus Wallace (Ving Rhames). They run into a few unexpected detours along the road. Marsellus is out of town, and he's gotten Vincent to take care of his wife, Mia (Uma Thurman. That is, take her out for a night on the town. Things go smoothly until one of them makes a huge error. Butch Coolidge (Bruce Willis) is a boxer who's been approached by Marsellus and been told to throw his latest fight. When Butch ends up killing the other boxer, he must escape Marsellus. Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer) (not their real names) are two lovebirds/thieves who have decided to rob the restaurant they're currently eating at. But the restaurant doesn't turn out to be as easy as the other places they've robbed

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Pulp fiction free online. Pulp fiction with a cat. Pulp fiction best scenes. Pulp fiction watch. Pulp fiction rotten tomatoes. Quentin Tarantino's 'Pulp Fiction' is the most stylish film ever made. The title and front cover says it all; Pulp Fiction. It's pertaining to old comic book strips usually containing lurid subject matter with a modern day twist. The film conveys this perfectly through the eyes of characters: Vince, Jules and Butch played by Travolta, Jackson and Willis. The non-linear time sequence also allows the audience to become more submerged in the multilateral plot, by understanding how each character's actions eventually effect anthers, causing the plot to intertwine narratives. The cool 1950's - 1970's rock n' roll music also saturates the film in a cool and eccentric atmosphere which is then juxtaposed with gratuitous violence, sexual violence and drug themes. This feeling is perfectly described by one scene of Travolta's character Vincent, driving a cherry red convertible cadillac down a road at high speed with Mia Wallace (Uma Thurman) overdosing on heroin in the back seat. This is how the film makes you feel when it reaches its climax. On the other hand, the relief comes with witty dialogue and great humour which makes you think about pop culture and society. The whole film is an absolute ride and my favourite of all time.

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Pulp fiction shirt. Pulp fiction scene. Pulp fiction meme. Pulp fiction ending. Pulp fiction 1994. Pulp fiction ost. Pulp fiction online. Pulp fiction name crossword. Pulp fiction bible quote. Pulp fiction reaction. Pulp fiction. Pulp fiction charli backpack. Pulp fiction art. Pulp fiction misirlou. Pulpfiction123movies. Pulp fictions. Pulp fiction watch scene. Pulp fiction music. My theory is that every piece of art, thus every movie, has to be evaluated, judged from the inside, by its own rules. This might be understood in many different ways; basically I mean that one should not start watching anything with an already prepared frame which he will then try to force on the movie. It's not possible to simply start from zero- we're human after all, and are influenced by our life up until the moment of watching a new movie- what we CAN do is throw aside stereotypical expectations and struggle to look at the movie from a multitude of points of view, in an open-minded way.
"Pulp Fiction" is for me the perfect example of a movie where clichés just don't work. The "I hated it" part of comments here is filled with complains about the poor plot, the lack of character development or the pointless dialogs. But even if their observations are all true, they're missing the point: none of those expectations are valid o Pulp Fiction, therefore the movie should not be judged based upon them. Wouldn't it be silly to complain about James Bond for not being realistic? or to underrate Harry Potter for being childish? A movie can be regarded from many alternative angles- not all of them are sensible.
Watching -and of course re-re watching, frame by frame- this movie was simply a pleasure, a major source of cinematic satisfaction. I didn't care about the storyline or the morale, if it was any; instead I couldn't stop enjoying Samuel L. Jackson reciting his classic Bible-quote, or Mr. Wolf doing his job, or Marcellus Wallace talking to Butch, the music, the moves, the full-of-flavor acting and lines, making every moment so enjoyable that it made me watch it over and over again.
This movie is not about what it's about, it's about HOW it's made. Dialogs seem stupid on paper- brilliant on tape (of course that doesn't mean that dialogs ARE stupid, but in this film they do not have the purpose to take the action forward- they are not a means to communicate, but have an inward value of themselves. I have not enough words of praise for the acting; God bless Sam, John and Bruce for what they did.
Never again will another movie like this be made- masterpiece, reason to live, whatever you want it to be.

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